From Chapter 3:
It is a little curious, considering the devotion of latter-day men of letters to tobacco, that in their early days so many of the men who wrote on the subject attacked the social use of tobacco with violence and virulence. Perhaps, courtier-like, they followed the lead of the British Solomon, King James I. Their titles are characteristic of their style. A writer named Deacon published in 1616 a quarto entitled "Tobacco tortured in the filthy Fumes of tobacco refined"; but Joshua Sylvester had easily surpassed this when he wrote his "Tobacco Battered and the Pipes Shattered about their Eares, that idely Idolize so base and barbarous a Weed, or at least overlove so loathsome a Vanity, by a Volley of Holy Shot Thundered from Mount Helicon," 1615. Controversialists of that period rejoiced in full-worded titles and in full-blooded praise or abuse.

From Chapter 8:
Angelo gives some lively pictures of scenes of this kind in the London of about 1780. The Turk's Head, in Gerrard Street, was the meeting-place for "a knot of worthies, principally 'Sons of St. Luke,' or the children of Thespis, and mostly votaries of Bacchus," as the old fencing-master, who loved a little "fine writing," describes them; and here they sat, he says, "taking their punch and smoking, the prevailing custom of the time." About the same time (circa 1790) an evening resort for purposes mostly vicious was the famous Dog and Duck, in St. George's Fields. "The long room," says Angelo, "if I may depend on my memory, was on the ground floor, and all the benches were filled with motley groups, eating, drinking, and smoking." Angelo also mentions the "Picnic Society," a celebrated resort of fashion at the beginning of the nineteenth century, where the odour of tobacco never penetrated. It afforded, he says in his fine way, "a sort of antipodeal contrast to these smoking tavern clubs of the old city of Trinobantes." The same writer speaks of a certain Monsieur Liviez whom he met in Paris in 1772, who had been one of the first dancers at the Italian Opera House, and maître de ballet at Drury Lane Theatre. This gentleman was addicted to self-indulgence, loved good eating, and good and ample drinking, and moreover kept "late hours, Ã l'Anglaise, smoked his pipe, and drank oceans of punch."